Jay’s Plays

These Are The Plays That Launched A Thousand Ships.

The Whole “Jay” Thing is Right Here!


Full Length Plays

On Stage

On Stage With Words

In the early 2000s, Kelly Wise stands as a commanding conservative voice on Fox News, a stark contrast to her '70s persona as the risqué sensation of “NBC Presents Hank & Jay.”

While she’s artfully distanced herself from that bygone era of glitz and mischief, an opportunity arises that tugs at her legacy: producing a documentary on the very show that launched her fame. Diving back into the vibrant world of “Hank & Jay,” Kelly finds herself amidst a whirlwind of old Hollywood allure, startling revelations, and simmering romances. Torn between her carefully crafted present and a past that refuses to stay backstage, Kelly’s journey becomes an intricate dance of identity and ambition.

“ON STAGE” unveils a mesmerizing tale of fame’s double-edged sword, where a woman’s attempt to align her past stardom with her present stature unfolds amidst a media world that never forgets.

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Sing, Swing, and Sway


It’s a sun-soaked, laugh-loaded romp along the sandy playgrounds of Daytona Beach. Sly barkeep Rusty Weber juggles cocktails and a covert mission: to shield Valerie, the mob boss’s daughter, from Spring Break’s rampant revelry.

Valerie, however, is a rebel at heart, hungry for love and adventure, no matter the cost to her overprotective father – or Rusty’s neck. Rusty also faces a romantic tug-of-war between Mary Ann, his true love, and Diana, a bestselling author with more than footnotes in her fantasies.

Mix in Leopold, a local lothario who wants a slice of Valerie; Trennis, the bookish chap who’s infatuated with Diana; Mr. Fiedler, a motel owner with eviction schemes aimed at Rusty; and Summer, a cheeky stripper who strips away all inhibitions – and you have a potent brew of mischief and mayhem.

“Sing, Swing, and Sway” weaves together love, loyalty, and ludicrous shenanigans in a character-driven comedy that’s as unpredictable as it is uproarious. Grab your flip-flops and your funny bone -- this is a Spring Break love-and-laugh fest you won’t want to miss!

Five men. Five women. One set.

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And God Created Laughter

PWI94318 Adam and Eve (oil on panel) by Cranach, Lucas, the Elder (1472-1553); Private Collection; Peter Willi; German,  out of copyright

A comic romp through the stories of the Bible, told by the One who knows it best – God Himself.

Have you ever had a backstage pass to Heaven with the Creator of all things? Find out what really happened when Adam and Eve discovered they were naked. What do Charlie’s Angels have to do with the Bible? And why did the Devil go down to Georgia?

“And God Created Laughter” is your unprecedented invitation into the past, present, and future. It’s taken God 10,000 years to appear on stage like this . . . the hilarious story of mankind as you may never see it again.

Six men. Five women. One set.

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Triple Trouble


An Evening of Elvis Movie One-Act Plays

Treat your audiences to this spirited stage spoof of iconic Elvis Presley movies.

Swing out and sound off with G.I. Red, White & Blues as you’re immersed in Germany’s lively nightlife. Tulsa McLean is on a love campaign to woo a French can-can dancer, but he gets more than he bargained for in a world of cultural capers and romantic mishaps.

Next, Aloha, Hawaiian Style sweeps you to a tropical paradise. Laugh along with Chad and Maile, former lovers turned business partners, as they manage a chaotic tour group while rekindling their romance.

And bring it all home with Lucky in Las Vegas, racing into Sin City’s neon excitement. Follow Elvis and Ann-Margret as they navigate love, laughter, and a high-speed Grand Prix in the heart of Fun Town, U.S.A.

TRIPLE TROUBLE is perfect for theatres seeking a light-hearted production, all on a single set. Request your reading copy today!

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That Jack Valentine


“THAT JACK VALENTINE” by Jay Huling is a full-length, two-act absurd comedy that weaves a tale of political intrigue and romantic entanglements in the small town of Lebanon, Kansas – the geographic center of the United States. 

The story centers on Jack Valentine, a shrewd political strategist who finds himself working for both mayoral candidates - Republican Billy Cox and Democrat Fanny Maze - while keeping each job a secret from the other. 

The narrative satirizes the farcical aspects of political campaigns, showcasing Valentine’s adeptness at manipulating media and public perception. His romantic involvement with Jill Garrett of the “Vote For Cox” campaign adds a layer of complexity to the already tangled web of his professional life. 

As Valentine navigates through a minefield of political maneuvers and personal dilemmas, the play humorously exposes the superficiality and duplicity often found in the world of politics. The climax brings together the threads of Valentine’s double dealings and romantic escapades, leading to a resolution that is both comical and thought-provoking. 

Four men. Three women. One set.

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The Church of Diminishing Marginal Returns

Edited in Prisma app with Mosaic

When incorrigible entrepreneur Josh Pocket finds himself in severe financial trouble, he cons his evangelical brother Jon into starting their own church.

Although Jon has a penchant for hermeneutical biblical exegesis and is quite sincere about the endeavor, Josh is only interested in collecting tithes and love offerings.

Josh and Jon’s endeavor is so financially successful, they’re able to pay off most of their debts. This doesn’t sit well with their banker, Gordon Hepworth, who has been making a handsome living off of the interest from their outstanding loans.

And when Nancy Fairchild of the IRS uncovers the church’s activities... uh-oh! She launches a formal investigation. Josh and Jon must get their act together to qualify as a bona fide 401-C-3 tax-exempt church corporation.

Three men. Two women. One set.

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The hook of “Clambaked!” has a throwback quality as it showcases a range of production settings from popular Elvis Presley films. The story features a quirky ensemble of characters in a lively fever-dream narrative filled with comedic antics, physical gags, witty banter and cinematic action (all of the fights, chases, rescues and musical numbers can fare well on the big screen.)

This is a bizarre, fun script that’s totally engrossing and keeps the reader on their toes, always wanting to know more. From just the premise alone – that a man is trapped inside a world of Elvis movies, and all the different characters cross into each other’s worlds – it makes this script something people feel compelled to read.

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Joke Cassidy is embarrassed by his constant failures in life. And his latest troubles – losing his job and his girlfriend on the same day – has driven him to desperation. So he tries to pass off a robot, who he swiped from his job at Walt Disney World, as his new girlfriend to friends visiting from out of town.

She’s so lifelike, it works, and Joke has something he’s always wanted: the envy of others. However, when flaws in her design start to be uncovered, Joke must constantly replace parts stolen from Disney World to keep her alive. And, depending on the part he’s forced to use, she takes on various personalities – from Mary Poppins to Marilyn Monroe to Elvis Presley.

For the characters, it’s all one big electronic comedy complication after another. For your audiences, it’s an evening of hilarity.

This is the full-length reimagining of Jay’s popular one-act comedy It Happened At Kings Island.

Four men. Four women. One set.

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Yes! It’s The Jay Huling Show!


Come back to an era of network prime time where variety shows were the most popular genre on television. “Yes! It’s The Jay Huling Show!” is a parody of the TV show Jay would have had – if he had ever had a TV show.

It emulates the self-deprecating humor of The Dean Martin Show, the swinging hipness of Laugh-In, the sketch comedy of The Carol Burnett Show, the music and dancing of shows like Sonny & Cher  or Tony Orlando & Dawn, and the sexy madcap zaniness of The Benny Hill Show. And, yes, it even has irresistibly campy commercials.

Jay plays host to a cavalcade of guest stars, including renowned poet laureate Sir Derrick Hatt; the comedy team of Leevem & Lovem; Europe’s newest and hottest all-girl pop group, The Sweet Nectarines; and extra special guest, international super model and motion picture star Ginger Golden.

If you’re looking for something different . . . a feel-good, enjoyable evening of laugh-out-loud entertainment . . . give your audiences the fond memories produced by “Yes! It’s The Jay Huling Show!”

Six men. Five women. One set.

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Hard Luck Sings The Blues


Heinz Laughlin is a self-conscious guy in a self-conscious story about his attempts to woo the woman of his dreams.

Heinz is aware that he’s a character in a play and that his Playwright has purposely put obstacles in the way, but he believes he can manipulate the Playwright’s will (and get what he wants) if he just tries hard enough.

He seeks counsel from a mail-order minister who's written over 1,200 how-to books . . . hires a woman from an escort service to help him “practice” for his big date . . . fasts for three days to get the Playwright to answer his prayer . . . and sends his beloved a direct mail love letter.

Will he get what he wants or get what’s coming to him?

Three men. Two women. One Set.

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The Sing Sing Suite


Hunk Shaughnessy lives a life of luxury . . . in jail.

Sing Sing is run like a highfalutin hotel. This is because the warden is more interested in having her prisoners love her than she is in jurisprudence. When they make her happy, she makes them happy.

But Hunk’s status quo is shattered when a new inmate is booked: Eli Witter, the world’s greatest escape artist. Eli plans an escape, but Sing Sing is so luxurious, they don’t lock the doors.

Eli knows he would look foolish busting out of a prison that’s not detaining him. He vows to transform Sing Sing into a maximum-security penitentiary – and then escape. Hunk vows to thwart Eli and preserve Sing Sing’s quality of life.

Three men. Two women. One set.

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Twelve Bar Blues

Edited in Prisma app with Tokyo

A two-act collection of twelve comic sketches – all taking place on one simple set, a bar called The Jungle Room.

Two cocktail waitresses and a bartender serve as the main characters. Throughout the evening, they encounter a crazy cast of barflies, including: Jones, a music major who is earning his fine arts degree in playing the maracas . . . Dean, who wants his date to mother him – complete with baby bonnet and bib . . . and Malinda, a ventriloquist who’s come to the bar to find her dummy. Or as her ex puts it, "I know she likes to manipulate men – but this is ridiculous!"

Its intoxicating satire, sparkling wit, and dry humor is guaranteed to raise your spirits.

Ten men. Nine women. One set.

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One-Act Plays

Aloha, Hawaiian Style 


Pack your bags and embark on a hilariously haphazard Hawaiian adventure. Chad Richards, a tour guide with a talent for trouble, and Maile Hudson, his no-nonsense business partner, surf the unpredictable crest of running their new travel agency. But their business relationship is complicated by their past romantic involvement. When they land their first client – the voluptuous Abigail Prentice from the Wharton School for Glamour and her troupe of beautiful models – things between them get even more tangled. From fiery panty predicaments to covert housekeeping disguises to helicopter junkets gone haywire, Hawaiian chaos breaks loose as Chad plunges deeper into mayhem. Will Chad and Maile steer their agency to smooth sailing, or will their business plans be as scrambled as their love life? Find out in this tropical paradise of comedy that your audiences will love. 

Five women. One Elvis. One set. 

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Rheumatoid Floyd


This is Jay’s spoof of Orson Welles’ classic movie Citizen Kane. Charles Foster Floyd utters his last word “Rosebud” and falls to the floor. Enter Bradford Thompson, a reporter, who immediately begins to write Floyd’s obituary. But, as Floyd lies there dying, he doesn’t like what he hears Thompson write. So, he wills himself to get up, stay alive, and help Thompson write the piece.

However, Thompson finds Floyd’s memories of his life to be a bit unbelievable. As they bicker about the details, Thompson learns about Floyd the man that the public never knew. And Floyd begins to see that he may have held himself in too high of a regard. In the end, they strike a compromise about reporting the truth and respecting the dignity of a man’s death.

Two men. One set.

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Plumber’s Butt


Vicki is a bohemian hot mess who has endured a lifetime of nagging health issues – from acute sinusitis to acid reflux to fibromyalgia and everything in between. Then, one day, she calls for a plumber to fix her leaky sink. When he arrives and bends over to go to work, she sees his butt crack . . . and she is instantly healed of all her maladies. Converted, she now feels a calling to get her family to believe, stare at the plumber’s butt, and be healed, too. This comedy is infamous in the Jay Huling canon, and it was the recipient of the 14th Annual New Voice Play Festival’s Golden Curtain Award, presented by The Old Opera House Theatre Company.

Two men. Two women. One set.

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Peter Perfect Picked a Peck of Pickled Perfection


Peter Perfect is perfect. So is his partner Poppy Perfect, and so are their friends Pokey Perfect and Pepper Perfect. But when Peter’s daughter Piper brings home her new fiancé Bruce Kerfuffle, things get a little pesky. This play will challenge your audience’s politics and your actors’ pronunciation.

Three men. Three women. One set.

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Bonjour Raconteur


When Russ Gettys, a wannabe comic book creator, discovers a Genie in a bottle, he is determined to waste his customary three wishes to prove to the Genie that he doesn’t need them at all. But the Genie was sent to teach Russ a lesson. So, when the wishes are all used up, Russ realizes his true wish is to recapture his imagination and follow the dream he abandoned. But is it too late?

One man. One woman. One set.

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Bob Juan


Bob is tired of living in the shadow of his womanizing big brother, Don Juan. So, Bob sets out to seduce Donna Julia, the wife of Don Alfonso. When Alfonso nearly discovers the tryst, Bob dresses in disguise as a woman to escape. But Alfonso, believing Bob to be a girl, makes romantic advances toward him. It’s a campy farce where boy gets girl, boy loses girl, and boy gets boy back. This is Jay’s spoof of Lord Bryon’s epic poem Don Juan.

Two men. Two women. One set.

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It Happened at Kings Island


Hannah and Fritz meet at Kings Island amusement park, and their chemistry is immediate and palpable. That is, until she breaks down, and Fritz realizes that Hannah is an animatronic exhibit, part of one of the park’s attractions.

Barbara, a park maintenance worker, comes to fix Hannah, and is dismayed that Fritz thought she was real. Barbara and Fritz don’t get along at all. And, yet, they also have a strange attraction to one another. So, Fritz must decide if he wants to pursue an uncertain relationship with the real Barbara or a perfectly fake relationship with the robot Hannah.

This is the original one-act play of Jay’s that he later reimagined and turned into the full-length comedy Transisters.

One man. Two women. One set.

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Lucky in Las Vegas


Set amidst the dazzling backdrop of Fun Town, U.S.A., “Lucky in Las Vegas” is a comedy that follows the intertwined lives and romance of Lucky Jackson, a daring race car driver, and Rusty Martin, the vibrant pool manager at the Flamingo Hotel. Their deepening relationship faces challenges from Elmo Mancini, a rival racer with his sights set on winning both the Grand Prix and Rusty’s heart. The play is peppered with comic interludes from Scarlett Delight, the hotel’s extravagant masseuse, and Edna Sullivan, the witty talent show MC. As the high-stakes race unfolds, humor, romance, and thrilling action blend together, leading to a climactic and unexpected finale. This comedy is Jay’s modern spin on the 1964 Elvis Presley movie “Viva Las Vegas.” 

Three women. Two men. One set. 

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Insert Laugh Here

instert-laugh-here copy

“Welcome to The Jungle Room. I’ll be at your service to help you fill your empty life with the fleeting pleasures of alcoholic delusions.”

And so begins Insert Laugh Here – a one-act comedy that takes place at a bar where a simpleton named Les has come to drown his sorrows. Along the way to inebriation, he meets a crazy cast of barflies, including:

  • Neil – who likes women with hairy knuckles. Or as he puts it, “A sound mind is nothing compared to a firm grip.”
  • Margret – who wants a man who doesn’t have callouses on his fingertips.
  • Lotta – a Mary Kay-type sales lady who offers to get Les women who are “out-of-the-box and oven ready.”

And throughout it all, Les waits to see if a mafia hit he has ordered will be successful . . . a hit on himself.

Insert Laugh Here is Jay’s one-act version of his hit full-length play Twelve Bar Blues.

Three men. Three woman. One set.

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The Wily Ray Riley


A dark comedy about a beautiful gypsy fortune teller – Ray Riley – whose gifts of foresight are genuine. But the seeress hides her necromancy by acting as a well-trained expert in the workings of the human psyche. The classic tale of discovering the defrauder is turned on its head when a preacher threatens to expose the sexy psychic as the real deal – unless help is given to raise funds for his church. But the preacher soon learns that mind games can be deadly as sin.

One man. Two women. One set.

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The Sardonic Soul 


This 15-minute drama delves into the reflective final chapter of Mark Christopher Sterling’s life. Confined to the stark reality of a hospice bed, Mark Christopher sifts through a lifetime’s worth of memories and missteps. As he confronts his past, his visitors bring their own shared history of youthful regrets, unrequited love, and complex entanglements. Their encounters weave a narrative exploring the sadness of loss and the human desire for redemption. It’s a poignant portrayal of a man’s final act, a subtle yet powerful exploration of life’s finality and the enduring human spirit. 

Five women. Two men. One Set. 

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G.I. Red, White & Blues


In Frankfurt, Germany’s lively Café Europa, Tulsa McLean, a witty U.S. Army Specialist, is swept into a bet to woo Lili LaFleur, a seemingly unattainable French dancer. Amidst the vibrant nightlife, Tulsa and his buddy Cookey navigate a maze of romantic escapades and cultural blunders. The story unfolds as Tulsa’s playful pursuit of Lili turns into genuine affection, challenging his original intentions. Meanwhile, the intertwining fates of Tina, a shy Italian dancer, Wolfgang, an earnest German businessman, and Marla, the astute bartender, add layers of humor and heart. This spoof of the 1960 Paramount movie “G.I. Blues” humorously explores love, identity, and the joyful unpredictability of life’s encounters. 

Three men. Three women. One set. 

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The Flaxen Miss Jackson


Everything has been going right for Simon Barjonas all year long. And it’s driving him crazy. He’s pinpointed the exact moment his good fortune began: When Mary Jackson said to him, “Have a happy New Year.”

Simon is compelled to confront Mary about her “inexplicable” gift. But he gets more than he bargained for when she turns water into wine before his very eyes.

Mary reveals she possesses an indwelling spirit of a different kind, and – much to his chagrin – Simon realizes he’s used her blessing to break every single one of the Ten Commandments.

Two men. Two women. One set.

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Bridesmaids Anonymous 


In the heart of wedding season, Meshella’s dream celebration is thrown into disarray by the unexpected arrival of Sara Wilson, armed with a dossier that threatens to unravel not just the bridal gown but the very fabric of trust among friends. As accusations fly faster than the bouquet, the bridesmaids find themselves entangled in a web of secrets where loyalties are put to the test. Meshella’s quest for the truth about her fiancé, Dave, leads her down the aisle of self-discovery, challenging her ideals of perfection. With a blend of sharp wit, suspenseful twists, and raw emotion, this one-act comedy peels back the veil on love and friendship, delivering a finale that redefines happily ever after. 

Five women. One set. 

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Tickle My Fancy


It’s a whirlwind of misadventures when Lonnie Beale, the new wrangler at the Circle Z Ranch – a beauty spa for wealthy glamour models – finds himself fighting off jewel thieves and jeweled women. Romance sparks between Lonnie and Pam, a shapely fitness instructor with a secret identity who’s embroiled in a treasure hunt in a nearby ghost town. Complicating matters further is ranch boss Vera Radford, who makes advances toward Lonnie while expecting him to cater to the whims of her amorous clients. Amidst this chaos, a Swedish chef frantically searches for his missing turkey. Filled with twists, turns, and laugh-out-loud moments, this play, reminiscent of a 1960s Elvis movie, is perfect for stages of all sizes and guaranteed to leave audiences tickled pink! 

Three men. Three women. One set. 

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Infidels Aweigh!


A daringly humorous 10-minute play that delves into the absurdities of cultural and religious misconceptions. Set at a bus stop in a small American town, the play features PFC Jinnger Hudson, a Marilyn Monroe-esque Marine with a penchant for alternative medicine; Sgt. Nathan Kuffar, her earnest squad leader; and Aishah Tatum, a young American Muslim woman. The plot twists around mistaken beliefs, including the humorous confusion between the Qur’an and the Kama Sutra. As the characters navigate their prejudices, “Infidels Aweigh!” satirizes the complexities of modern societal dynamics.

Two women. One man. One set.

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Graceland Gone Wild

 Graceland Gone Wild 

Newlyweds John and Diora Burrows embark on an extraordinary honeymoon adventure by breaking into Elvis Presley’s iconic Graceland Mansion. Their plan, however, gets hilariously complicated when another couple, Alan and Carlotta Cody, appear with the same idea. 

Their adventurous night takes an unexpected twist with the arrival of Mindi Newmar, a sultry cat burglar intent on pilfering Elvis memorabilia. Amidst the chaotic capers and the couples’ comedic rivalry, Juanita Williams, the pragmatic security guard, confronts the unfolding mayhem. This one-act play humorously explores themes of idolatry, passion, and extreme fandom, paying tribute to Elvis’s sense of humor and flamboyance. 

Four women. Two men. One set. 

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The Teeth of Our Skin


This parody of Thornton Wilder's "The Skin of Our Teeth" juxtaposes timeless themes with the quirky setting of 'Bikini Dentistry' — a brothel-turned Hooters-turned dentist office. Dr. Juliette Hope navigates a series of ludicrous challenges as she confronts a metaphorical 'ice age' of societal change. Her assistant Sabina serves as a witty, self-aware conduit between the audience and the play, highlighting the farce and the underlying social commentary. They fend off the advances of Adam Zapple, a mechanic from 'Lingerie Automotive;' grapple with the protestations of Gladys Antipas against dental sexism; and confront the threats of toothpaste mobster Cain Tremayne, who pressurizes Juliette to endorse Sisyphus Toothpaste, because she's the one out of five who doesn't. The satire in "The Teeth of Our Skin" cleverly intertwines the struggles of humanity with modern absurdities, offering a comical yet poignant critique of social justice warriors, consumer culture, and the resilience of the human spirit in the face of relentless, self-imposed adversity.

Three men. Three women. One set.

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Trilogy for Two


Marty and Jerry, a writing team whose careers have recently stalled, work on a new script. They improvise scenes to get their creative juices flowing – including: Bad actors performing Hamlet . . . First-timers at a nudist colony . . . Mail that’s never delivered to Buenos Aires, South Africa . . . and a man who is publicly disgraced because he sleeps with his pillow before he marries it.

But nothing works for them because Marty has an emotional need to add meaning to his writing, while Jerry wants the audience to be entertained with belly laughs. As they search through old photo albums for inspiration, they reminisce about their lives, loves, and losses. Who will win the battle between art vs. entertainment? Or is there another battle to be won?

Two men. One set.

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Runs, Drips & Errors


This baseball comedy is set at home plate during a game between the Rockwood Scouts and the Chattahoochee Nads. Leo, the umpire, is mercilessly heckled by songstress Luanne Linder, who opens the proceedings by butchering the Star-Spangled Banner. The catcher, Corky Bristol, is grossing everyone out with his stinky feet. And the batter, Goo-Goo Dawkins, attempts to influence the umpire’s calls by helping Leo with his love life. To top it all off, the coach for the Scouts, Greg Wellman, needs to leave the game early to catch a flight to his grandmother’s wedding. So, he asks Leo to eject him. But Leo refuses to do so unless Wellman makes him really mad.

And it all takes place within one at-bat. Will Corky’s feet strike everyone out? Does Wellman get to the church on time? And can Goo-Goo help Leo find true love? Probably not – but it’s a safe bet your audiences will laugh out loud watching them try.

Four men. One woman. One set.

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Elvis of Nazareth


In the summer of 1953, a yet-to-be-discovered Elvis Presley has an inexplicable foreknowledge of future events.

And he wonders if it’s all worth the effort. Should he record the song for his mother, get discovered, and become the boy who dared to rock? Or should he go home?

As he ponders his fate, Elvis encounters several characters from the Bible who help him choose whether to rein as the King of Rock and Roll . . . or live a life making disciples for the Kingdom of God.

Five men. One woman. One set

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